Repercussions, płyta winylowa

KAKUHAN, Adam Gołębiewski - Repercussions
wytwórnia: Instant Classic, 2025
nośnik: winyl, format: 12"LP, ilość nośników: 1
czarny , singlefold
download code: nie
nr kat.: CLASSIC103LP, 5906379710432
czas:

awangarda, elektronika

Electronics by Koshiro Hino
Cello by Yuki Nakagawa
Drums and objects by Adam Golebiewski

Mixed by Koshiro Hino
Mastered and cut by Stefan Betke at Scape Mastering
KAKUHAN & Adam Golebiewski were first brought together for Unsound Kraków 2023

1. II
2. XIII
3. VII
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5. I
6. IV
7. IX
8. V
9. XI
10. XV

KAKUHAN haven’t released much, but what’s out there is some of the most astonishing hybrid electroacoustic music that’s emerged in the last few years. Owing as much to Autechre as it does to Arthur Russell, it’s dizzyingly psychedelic music that flits between wild free improvisation and obsessive, micro-edited precision, unclassifiable rhythmic and tonal experimentation that nods to the renaissance era and the contemporary dancefloor sometimes in the same breath. And in 2023, not long after the release of their now-classic debut album Metal Zone, KAKUHAN were invited to perform live at Unsound in Kraków. The duo were offered the opportunity to collaborate with a local artist, so after serious consideration decided on percussionist and musicologist Adam Gołębiewski, a veteran improviser who’s performed and recorded with everyone from Yoko Ono and Thurston Moore to Mats Gustafsson and Ken Vandermark.

Hino and Nakagawa were struck by Gołębiewski’s unique tone and his very specific, immediately recognizable approach to drumming, realizing immediately that the collaboration would stretch their concept even further. “Personally, I was looking forward to hearing how Hino’s rhythmic sequences and Adam’s percussion would interact,” says Nakagawa. But it’s Gołębiewski’s interaction with his cymbals particularly that bridges a gap in KAKUHAN’s sound, existing in the space between Nakagawa’s cello and Hino’s stuttering samples. In fact, the performance was so successful that the trio headed to Kraków’s KPD Studio shortly afterwards, dubbing an exclusive session with engineer Rafał Drewniany that would become Repercussions. The session’s vision is captured perfectly by the album cover, a painting from Polish artist Alicja Pakosz that shows a knife edge splitting a jet of water. It’s the relative sharpness of Gołębiewski’s sound that defines this project, cutting through Nakagawa and Hino’s well-worn musical rituals and creating something new in the process.